Two Elsewhere Published Zipper Poems:
(For an explanation of Zipper poetry/opera, go to "Zippers" on the Navigation tab)
The Poppy
Perhaps its
Fragile
strength lies
in
its petals
exclusively
as
if each were
in
being so perfectly
the
wing of a monochrome
suited
moth...
suited
to
a place of brief floods
in
an iridescent
and
overwhelming
silk-like
orange
sun.
c. 2000 d. harder (Milkweed)
A (Not So) Simple Logic
searching the palpable
patterns
for patterns
for the love of God
for a rhythm
written in verse
that might possibly reveal
and intended to reveal
the logic
in an artist’s work
or
at least the will
the will
of a universe
and the simple
inscrutably complex
logic of a loving
and
wildly violent
God
c. 2000 and 2008 d. harder (Witness and G. Schirmer)
And two elsewhere published Poegraphs:
The Santa Monica Zenway
Even better than sex
at rush hour when the rest jerk and flow in tight clusters at sixty is to drive at ninety or better sliding in and out of
pockets only inches longer than your car, anticipating movements seven cars ahead; a hole, a change of speed, someone changing
lanes and you’re there before you know it, before anyone else has seen it -- that place in the flow you borrow for a
second or two, moving so fast so close to chaos you are, for as long as this ballistic meditation lasts, free, you are dancing
with Shiva, you are lost in the moment and found in the flow: an insane Zen master -- detached, disciplined, and utterly irresponsible.
©
1995 d. harder (Witness)
The Mary Kay Lady
Pink; the car, the trim on the house, pink;
the wet and glossy lips, the shadows of her eyes; pink; the details in the life of the woman who sells cosmetics and lives
around the corner, a woman who wouldn't -- you'd swear couldn't -- know how to make time for passion, tragedy,
or unsightly care, so immaculate she seems, so coordinated her life, until she tells you in a soft, almost breathless voice
(laboring from its one-lunged depth) that her son just went back to prison and that she’ll be -- once again -- the mother
of his motherless child, and this time for good. Too old she says she thought she was but she must, she and her crippled husband
must protect the child, in part, because she feels she’s failed with the first, the prodigal, the imprisoned son and
proud though she is of the second son preaching the gospel somewhere in Southern California, it is the older, violent, lost
one she cares -- or cares to talk most -- about and it may be that the pink, strict, and structured life of this stiff, attractive
woman married to a man who moves on crutches was too tight for the long-reined needs of the first though equally it may be
that the pink, rigid, regulated life she lives gives her the footing, gives her the strength to love and care for the child
of the child she's lost.
© 2004 d. harder (Facets)